The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography      　　The war Widow is a difficult character to digest       Because this is an especially painful topic in Israel, its mode of representation is almost always problematic      　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens      　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film      　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief      　　Siege was directed by an unknown Italian director of that period       Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas      　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film      　　This is without a doubt one of Almagor's best and most accurate performances       The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension       The result stands the test of time proudly several decades after its creation